SELF-PROMOTION | catapult

This was my final project in my final year of my studies and I decided to create a visual identity inspired by how I got to this point in my life.

I have always been under the impression that I should anchor myself to a single occupation to prove my cognizance concerning my identity and future. Whereas in reality the only assurance I had was that I wanted to create whatever and be able to immerse myself in these creations. As a result of this urge for certainty in the direction I was heading, I’ve been interested in merely three occupations throughout my lifetime. These occurred during three completely different stages and places of my life, but ultimately moulded the creative in me as I’ve progressed through these phases in life. The three different existential cornerstones regarding my occupational interests are coordinated in a chronological order to form a narrative within the different designed touch points. It’s divided into “Creator” and “Coordinator” being the two cornerstones of my current “Creative” self. The main hurdle to get over was having a consistent integration between these very discrete stages in my life. With the conceptual approach based on “catapulting” to and from these fundamental junctures in my life, the entire identity’s unboxing had to have a clear order from one point to the other.

My corporate identity essentially exploits the etymological and metaphorical values that’s attached to the term, “catapult”. “Cata” meaning “down wards” with “pult” being the past participle of “pull” speaks into the notion of pulling space downwards, instead of “catapulting” towards it. This lends metaphorical connotations related to approaching a challenge differently than the common mind, but also pulling one’s aspirations closer. The visual language consequently consists of astronomical references that take on its own meaning according the visual realms of each of the three different sections. The “Creator’s” division for instance, clearly alludes to the dawn of dreaming about what’s outside our sphere. The “Coordinators’” segment elicits the more mathematic and academic side of deceiving gravity, while the last section, “Creative’, becomes the invite to this “launch”.

BOXES CLOSED

The line motif adjusts according to the different boxes. While the “Coordinator’s” lines are rigid, the “Creator’s” are more organic.

These boxes contain touchpoints that establish my existencial narrative in a chronological order.

BOXES open

I wanted to evoke the motion of catapulting through opening it. The two bottom boxes are metaphorical cornerstones of the top one.

TOUCHPOINTS

BOX #1...CD & Poster

BOX #2...Stationary & Sketch Book

BOX #3...Invite/Ticket, Merchandise

ALBUM & POSTER WRAPPER

The poster and album resonate with my childhood years’ dreams of becoming a singer myself.

POSTER DESIGN

The inside of the double-sided poster that is wrapped around the album.

COVER BOOKLET & CD

The cover is folded so the inside could provide information on this particular era of my life. The tracklist includes current and past favourite singles which also appropriately resonates with this particular stage of life that alludes to the evolvement from my childhood.

sketchbook

Narrative continued from first box into the following era.

stationary

The stationary is chosen appropriate to geometry subjects and is approached metaphorically to give more context on this period in life.

merchandise

The final invitation box’s design attributes are derived from the two bottom ones, hence consisting of a combination of both its design elements to ultimately create a full identity.

Generating an identity with merchandise and other touchpoints required for an event is suitable, since it is an invitation to a “launch”.

TICKET DESIGN

Front and Back designs of tear-off ticket with the signature collage.

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UNDESIGNED SELF-PUBLICATION | '69

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PACKAGING | bonnie's boon